A BDSM novel that leaves that ‘other’ one in the dust.
Story blurb: Edward Taylor is a man torn between his honourable façade and his forbidden carnal desires. Outwardly a proper Victorian family man, Edward secretly craves pain and lusts after men. Isaac Sinclair is a struggling writer forced by poverty to supplement his income with less savory pursuits, including discreetly inflicting “professional punishments” upon wealthy gentlemen. When Edward catches Isaac in an act of petty theft, the chance meeting seems to offer an ideal opportunity for both men. Neither man, however, is prepared for the escalation of social and personal risk occasioned by falling in love.
About the author: Nick Kinsley has been writing since a very young age. After going through school focused on computer science, he discovered that he would rather be a professional author. He grew up with few friends and a love of books, and hopes to create worlds in which others can find enjoyment. Kinsley currently attends community college in Maryland and plans to study abroad and major in Literature. He also plays guitar, and loves music.
Review by Gerry Burnie
Bondage, Domination, Submission and Masochism (BDSM), seems to be quite popular these days – due to the release of a movie based on that other BDSM book (which I read, but chose not to review), so I decided to offer one that is a superior story in many ways.
Behind Locked Doors by Nicholas Kinsley [Fantastic Fiction Publishing, February 17, 2015] is Kinsley’s debut novel, and a worthy effort it is, too. I would also add that I classify it as “sexy” as apposed to “hard-core” S&M.
Edward Taylor is a respected Edwardian, upper-middle class gentlemen, although he was born a bastard. However, because his biological father did the right thing, he is now a prosperous factory owner with money enough for dalliances – like Isaac Sinclair, a struggling writer who supports his ‘addiction’ by servicing gentlemen with special, exotic pleasures – i.e. BDSM.
His chance encounter with Sinclair comes about when he witnesses the latter stealing bread, and in a rather mutually agreed arrangement he coerces Sinclair into partaking of his services.
This continues, commercially at first, but as time goes by it becomes deeper – emotionally – until they are both inextricably in love.
Complicating matters is the fact that Taylor is married with a son. It is a rather odd arrangement whereby he married a French girl on a fling in Paris, thinking he would have to marry eventually – for appearances sake as much as anything else – and out of it came a somewhat estranged son.
The son is a sub-plot, for in loving Sinclair he also learns to love his son.
Overall, it is an engrossing story with strong main characters. Both Taylor and Sinclair are credible, and the story is plot-driven as apposed to sliding along on a stream of sperm. Likewise, the S&M is judiciously used as a piquant, rather than a gratuitous kink.
The insights into 19th-century mores are also well created, which suggests some research.
On the quibble side, flashbacks (retro-views) are tricky. I’ve read dozens of books that have used them, but only a few have done it well. I can’t say don’t use them, because it depends on how necessary the past is to explain the present, but otherwise use some other device, like a prologue.
Another quibble is the ‘fee’ Sinclair apparently charged for his services. Fifty pounds in the 19th century was a significant amount of money. For example, a skilled engineer might earn £110 per year if fully employed.
Which, I suppose is the other lesson this review might bring: Write about flying monsters and horned aliens with impunity, but miss a fact by a day or an inch and someone is bound to catch you up on it.
A solid read. Four bees.
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