A masterfully crafted and delivered story.
Story blurb: Jonathan Williams has inherited Trevaglan Farm from a distant relative. With his best friend, Alayne, in tow, Jonathan returns to the estate to take possession, meet the current staff, and generally learn what it’s like to live as the landed gentry now. He’d only been there once before, fourteen years earlier. But that was a different time, he’s a different person now, determined to put that experience out of his mind and his heart….The locals agree that Jonathan is indeed different from the lost young man he was that long ago summer, when he arrived at the farm for a stay after his mother died. Back then the hot summer days were filled with sunshine, the nearby ocean, and a new friend, Nat. Jonathan and the farmhand had quickly grown close, Jonathan needing comfort in the wake of his grief, and Nat basking in the peace and love he didn’t have at home.
But that was also a summer of rumors and strange happenings in the surrounding countryside, romantic triangles and wronged lovers. Tempers would flare like a summer lightning storm, and ebb just as quickly. By the summer’s end, one young man was dead, and another haunted for life.
Now Jonathan is determined to start anew. Until he starts seeing the ghost of his former friend everywhere he looks. Until mementos of that summer idyll reappear. Until Alayne’s life is in danger. Until the town’s resident witch tells Jonathan that ghosts are real. And this one is tied to Jonathan unto death.
Review by Gerry Burnie
I have a special place in my reader’s heart for an English country novel set in a small, rural town, with history dripping from every greensward. Somehow they are made for one another. So, when I read the lead-up to Lover’s Knot by Donald Hardy [Running Press, December 22nd 2009], I was hooked.
Donald Hardy’s bio (… no relation to the ‘Hardy Boys’) says he lives in California, but his writing style (particularly in his description of Cornwall’s ancient countryside) is British to a ‘T’.
The characters are well developed and credible, as well, from the reasonably well-adjusted Jonathon to the troubled Nat, his shrewish girlfriend, Rose, and Jonathon’s faithful (and ever-so-patient) friend, Langsford-Knight.
Briefly, Jonathon is sent to spend a summer at a cousin’s farm where he encounters Nat, a young farmhand. Being of more-or-less similar ages, a friendship if struck that grows more intimate until it culminates in sex. However, Nat is already involved with a harpy girlfriend who is a study in shrewishness, and as things deteriorate Nat is written out of the story by falling off a cliff.
Fourteen years later, Jonathon returns to Trevaglan Farm as owner, with Langsford-Knight for company. During the interim, Jonathon and Langsford have maintained a friendship that all but verges on romance. Albeit, neither have had the nerve to say so, or take it to the next step.
Once at the farm, however, strange things begin happening to Langsford until it appears his life might be in danger. This leads to the ferreting out the sinister mystery that ultimately resolves the story.
From personal experience, I can say that juggling a supernatural element with more conventional aspects of a story is no mean fete, and so I give Mr. Hardy for a job well done. Four and on-half bees.
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