A Shiny Tin Star, by Jon Wilson
No shoot-em-up, but a darned good story.
Story blurb: On a scorching summer’s day in 1903 the sheriff of Creek County, Eugene Grey, unexpectedly finds himself partnered with feisty young Federal Marshal Forest O’Rourke. The marshal is hell-bent on capturing a wanted man—a man Eugene knows as nothing but an amiable old geezer living quietly in the hills.
But, of course, all is not as it seems. As the manhunt progresses, Eugene slowly works out the true nature of the marshal’s relationship to the old man. And something Eugene has long kept hidden begins to stir inside him. He finds it impossible to deny the desire he feels toward the determined young marshal.
Death and fiery destruction follow, but also passion and stolen moments of joy. Eugene’s journey takes him from his small town of Canyon Creek, Colorado, to the stately homes of Atlanta and Philadelphia. But it also pits him against the very laws he has sworn to uphold. He finds himself risking prison or even death—all in the name of love.
Review by Gerry Burnie
As most people who visit this page know, I have a fondness for westerns. I think this is because they recreate a life and times that were basic. Not ‘basic’ in the sense of being crude, as they are often portrayed today, but a simpler life in terms of common sense and the ‘golden rule.’ For the most part, I think that Jon Wilson has captured this simplicity in his novel A Shiny Tin Star, [Cheyenne Publishing, November 19, 2012]. Certainly he has captured the laid-back cadence of the narrator, Eugene Grey.
Eugene Grey is a down-home country sheriff, confidant in what he knows from having lived it, seen it, or done it, and sceptical of anyone who hasn’t—especially those who think they know better. That includes Marshall Forrest O’Rourke.
O’Rourke is a cocky Federal Marshall, and worse still, an Easterner. That pretty well sets the tone of the first eight or ten chapters. [I particularly liked the knock-down-drag-em-out fight between O’Rourke and Rawley Scoggins.]
In a somewhat surprising turn, the story shifts east to the cultured life of Atlanta and Philadelphia, taking Eugene out of his rustic element and into Forrest’s element. It also takes them into a climate of artifice and bigotry, which threatens to destroy their simple relationship.
In the end, however, love prevails.
The story is cleverly written, with a keen grasp (however gotten) of the laid-back, country vernacular of the narrator. That was a strong point for me.
The eastern segment was well done, and I can understand why a shift in setting was introduced to add tension, but for me it was a disconnect from the western roots. Having said that, however, I don’t know how else it could have been written.
Altogether, though, I thought it was a good story, well written, and with enough unexpected twists to make it unique. Four and one-half stars.
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