A gutsy twist on a major classic that works –
When an old druid foresees this harbinger of chaos, he also sees whom it will claim: young Rob of Loxley. Rob’s mother and father, a yeoman forester and a wisewoman, have raised Rob and his sister, Marion, under a solemn duty: to take their parents’ places in the Old Religion as the manifestations of the Horned Lord and the Lady Huntress.
But when Gamelyn Boundys, son of a powerful nobleman, is injured in the forest, he and Rob begin a friendship that challenges both duty and ideology: Gamelyn is a devout follower of the Catholic Church. Rob understands the divide between peasant and noble all too well. And the old druid has foreseen that Gamelyn is destined to be Rob’s sworn enemy—to fight in a blood sacrifice for the greenwode’s Maiden.
In a risky bid for happiness, Rob dares the Horned Lord to reinterpret the ancient rites—to allow Rob to take Gamelyn as a lover instead of a rival. But in the eyes of Gamelyn’s church, lust is a sin—and sodomy is unthinkable.
Cover art by Shobana Appavu
Review by Gerry Burnie
To me 12th-century England was a fascinating time, filled with knights, squires, wizards, and wonderfully mystical religions, all functioning in and around vast, primeval forests where Druids practiced their ancient rites. Of these, the Greenwode, by J Tullos Hennig [Dreamspinner Press, January 18, 2013] is probably best known, i.e. all one has to do is add Rob of Loxley (or “Robin Hood”) to comprehend why.
As such, it is somewhat difficult to categorize this genre. It is mostly fantasy/fiction I suppose, since Robin Hood has never been proven, but otherwise it might be alternative history. Certainly Greenwood Forest and Druids existed, as did priories, convents, and the dominance of the Roman Catholic Church.
The problem I have with previous versions of Robin Hood, mostly created by Hollywood, is their ‘prettification’ of 12th-century England, with turreted castles (15th-century or later), impeccable clothes, and as one Hollywood Robin Hood put it, “Unlike other Robin Hoods, I speak with an English accent,”—albeit, a modern one.
Fortunately, this author has captured a good part of the dark and primitive atmosphere, which was circa-Crusade England, as well as the mix of old and new religions that existed at the time, and this scores well with me. After all, a period novel should be first and foremost true to the period.
I also like the plot, once again because it is consistent with the period. Rob is the son of a respected (yeoman) forester, but at the same time he is more than that. He is, in fact, a ‘crown prince” in the Druid religion—a future manifestation of the ‘Horned God.’
Gamelyn, his unlikely love interest, is the minor son of an earl, and a hidebound Catholic, but it is Rob’s simple nobility that eventually evens the playing field between them. Moreover, it is Rob who has the courage to question the horned god’s interpretation of the future.
This is a gutsy twist on a major classic that works. Not only that, but because of the realism, I believe it a step forward. A special mention as well for the absolutely stunning cover art. Five bees.
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 “Robin Hood, Men in Tights.”