The Sacred Band, by Janet Morris and Chris Morris
A scholarly tale of pathos, romance, and adventure
Story blurb: An adventure like no other. Two Sacred Bands, united for the first time. The Sacred Band of Thebes lives on, a world away, in this mythic novel of love in war in ancient times. In 338 BCE, during the Battle of Chaeronea that results in the massacre of the Sacred Band of Thebes, the legendary Tempus and his Stepson cavalry rescue twenty-three pairs of Theban Sacred Banders, paired lovers and friends, to fight on other days. These forty-six Thebans, whose bones will never lie in the mass grave that holds their two hundred and fifty-four brothers, join with the immortalized Tempus and his Sacred Band of Stepsons, consummate ancient cavalry fighters, to make new lives in a faraway land and fight the battle of their dreams where gods walk the earth, ghosts take the field, and the angry Fates demand their due.
Review by Gerry Burnie
|This is another book purchased from Amazon.com’s ‘Gay Historical Fiction’ list, but apart from a few vague references to homosexuality it is not a GLBT story.|
At 570 pages (929 KB) The Sacred Band (Sacred Band of Stepsons) by Janet Morris and Chris Morris [Paradise Publishing, 2010] is an epic tale of heroes, gods, and demigods. I also understand that it is a continuation of a series, but it is the first I have read.
There are a number of good things to be said about this story. The evidence of major research stands out first and foremost. This was a time when every life force was governed by some god or goddess, major or minor, and to sort all these out is no slight task. I did, however, have some questions about weaponry—particularly cross bows and throwing stars in the third century BC. It is true that the authors did admit some anachronisms here, but for me these took me outside the time frame.
The plot is also well constructed, with drama, romance, pathos and destruction, woven together in a compelling and interesting way.
The journalism is of a high order as well, but here we begin to experience some difficulties. Technically it is good but convoluted by an overabundance of esoteric description; so much so that I found myself skimming over paragraphs, even pages, to get to the next point.
Individually the characters were both distinct and interesting, but collectively (by name) they were overwhelming. This was made even more mind-boggling by the fact that many of these had two or three names used interchangeably, i.e. Tempus/Riddler/Avatar; Nikodemus, Niko, Swift; and so on.
However, for me the most critical shortcoming was a book of 570 pages in length, involving the Sacred Band of Thebes, and not once did it mention same-sex sex by name or practice. Indeed, the only time when one male character makes a brief pass at another—in a whore house—it was treated with something like, “I’m not that way.”
Recmmended for the good points mentioned. Two and one-half Bees.
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